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Some Freaks of Fate

 

Old West Calendars

 

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"Well, one morning, I came into Virginia [City] about breakfast time, and with the rest of the crew, went up to the old California Chop-house for breakfast. This same chop-house was a building about good-enough for a stable, these days; but it had a reputation then for steaks. All the gamblers ate there; and it's a safe rule to eat where the gamblers do, in a frontier town, if you want the best there is, regardless of price.

 

"It was early for the regular trade, and we had the dining-room mostly to ourselves, for a few minutes, then there were four women folks came in and sat down at a table bearing a card: 'Reserved for Ladies.'

 

"Three of them were dressed loud, had signs out whereby any one could tell that they wouldn't be received into no Four Hundred; but one of them was a nice-looking, modestly-dressed woman, had on half-mourning, if I remember.

 

 

Virginia City, Nevada, 1866

Virginia City, Nevada,  Lawrence & Houseworth, 1866.

This image available for photographic prints and

 downloads HERE!

 

"She had one of them sweet, strong faces, John, like the nun when I had my arm broke and was scalded,—her sweet mouth kept mumblin' prayers, but her fingers held an artery shut that was trying its damndest to pump Gun Gunderson's old heart dry—strong character, you bet.

"Well, that woman sat facing our table and kept looking at me; I couldn't see her without turning, but I knew she was looking. John, did you ever notice that you could feel the presence of some people; you knew they were near you without seeing them? Well, when that happens, don't forget to give that fellow due credit; for whoever it is he or she has the strongest mind—the dominant one.

"I had to look around at that woman. I shall never forget how she looked; her hand was on the side of her face; her great, brown, tender eyes were staring right at me—she was reading my very soul. I let her read.

"I had been jacking up a gilly of a gafter who had referred to his mother as "the old woman," and I didn't let the four females disturb me. I meant to hold up a looking-glass for that young whelp to look into. I hate a man that don't love his mother.

"Why," says I, "you miserable example of Divine carelessness, do you know what that 'old woman' mother has done for you, you drivelin' idiot, a-thankin' God that you're alive and forgetting the very mother that bore you; if you could see the tears that she has shed, if you could count the sleepless nights that she has put in, the heartaches, the pain, the privation that she has humbly, silently, even thankfully borne that you might simply live, you'd squander your last cent and your last breath to make her life a joy, from this day until her light goes out. A man that don't respect his mother is lost to all decency; a man who will hear her name belittled is a Judas, and a man who will call his mother 'old woman' is a no-good, low-down, misbehaven whelp. Why, damn it, I'd fight a buzz-saw, if it called my mother 'old woman'—and she's been dead a long time; gone to that special, exalted, gilt-edged and glorious heaven for mothers. No one but mothers have a right to expect to go to a heaven, and the only question that'll be asked is, 'Have you been a mother?'

 

"He was the first man I ever killed."

Illustration from the book, Danger Signals by John A. Hill

 and Jasper Ewing Brady.

 

"Well, sir, I had forgot about the women, but they clapped their hands and I looked around, and there were tears in the eyes of that one woman.

"She got up; came to our table and laid a card by my plate, and said, 'I beg your pardon; but won't you call on me? Please do.'

"I was completely knocked out, but told her I would, and she went out alone; the others finished their breakfast.

"She had no sooner gone than Cy Nash, my conductor, commenced to giggle—'Made a mash on the flyest woman in town,' he tittered; 'ain't a blood in town but what would give his head for your boots, old man; that's Mabel Verne—owns the Odeon dance hall, and the Tontine, in Carson.'

"I glanced at the card, and it did read, 'Mabel Verne, 21 Flood avenue.'

"Well, Flood avenue is no slouch of a street, the best folks live there," I answered.

"'Yes, that's her private residence, and if you go there and are let in, you'd be the first man ever seen around there. She's a curious critter, never rides or drives, or shows herself off at all; but you bet she sees that the rest of the stock show off. She's in it for money, I tell you.'

"I don't know why, but it made me kind of heart-sick to think of the hell that woman must be in, for I knew by her looks that she had a heart and a brain, and that neither of them was in the Odeon or the Tontine dance-houses.

"I thought the matter over,—and didn't go to see her. The next trip, she sent a carriage for me.

"She met me at the door, and took my hat, and as I dropped into an easy chair, I opened the ball to the effect that 'this here was a strange proceeding for a lady.'

"'Yes,' said she, sitting down square in front of me; 'it is; I felt as if I had found a true man, when I first saw you, and I have asked you here to tell you a story, my story, and ask your help and advice. I am so earnest, so anxious to do thoroughly what I have undertaken, that I fear to overdo it; I need counsel, restraint; I can trust you. Won't you help me?"

"'If I can; what is it that you want me to do, madam?'

"'First of all, keep a secret, and next, protect or help protect, an innocent child.'

"'Suppose I help the child, and you don't tell me the secret?'

"'No, it concerns the child, sir; she is my child; I want her to grow up without knowing what her mother has done, or how she has lived and suffered; you wouldn't tell her that, would you?'

"'No; certainly not!'

"'Nor anyone else?'

"'No.'

"'You would judge her alone, forgetting her mother?'

"'Yes.'

"'Then I will tell you the story.'

"She got up and changed the window blinds, so that the light shone on my face; I guess she wanted to study the effect of her words.

 

Sacramento, California, 1866

J Street in Sacramento, 1866, Lawrence & Houseworth, 1866.

This image available for photographic prints and  downloads HERE!

"'I was born at Sacramento,' she began; 'my father was a well-to-do mechanic, and I his only child; I grew up pretty fair-looking, and my parents spent about all they could make to complete my education, especially in music, of which I was fond. When I was eighteen years old, I fell in love with a young man, the son of one of the rich merchants of San Francisco, where we had removed. Like many another foolish girl, I trusted too implicitly, and believed too easily, and soon found myself in a humiliating position, but trusted to the honor of my lover to stand by me.

 

"'When I explained matters to him he seemed pleased, said he could fix that easy enough; we would get married at once and claim a secret marriage for some months past.

 

"'He arranged that I should meet him the next evening, and go to an old priest in an obscure parish, and be married.

"'I stood long hours on a corner, half dead with fear, that night, for a lover that never came. He's dead now, got run over in Oakland yard, that very night, as he was running away from me, and as I waited and shivered under the stars and the fire of my own conscience.'

"'Did he stand on one track, to get out of the way of another train, and get struck?' I asked.

"'Yes,' looking at me close.

"'Did he have on a false moustache, and a good deal of money and securities in a satchel, and everybody think at first he was a burglar?'

"'Yes; but how did you know that?'

"'Because, I killed him.'

"'You?'

"'Yes; I ran an engine over him, couldn't make him hear or see me. He was the first man I ever killed; strange he should be this particular man.'

"'It's fate,' said the woman, rocking slowly back and forth, 'it's fate, but it seems as though I like you better now that you were my avenger. That accident drove revenge out of my heart, caused me to let him be forgotten, and to live for my child. I have lived for her. I live to-day for her and I will continue to live for her.'

"'My disgrace killed my mother and ruined my father. I swore I would be an honest woman, and I sought employment to earn a living for my babe and myself, but every avenue was closed to me. I washed and scrubbed while I was able to teach music splendidly, but I could get no pupils. I made shirts for a pittance and daily refused, to me, fortunes for dishonor. I have gone hungry and almost naked to pay for my baby's board, but I was hunted down at last.

"'One day, after many rebuffs in seeking employment, I went to the home of a sister of my child's father, and took the baby, told her who I was and asked her to help me to a chance to work. The good woman scarcely looked at me or the child; she said that had it not been for such as I, poor Charles would have been alive; his blood was on my head; I ought to ask God to wash my blood-stained hands.

"'I went away from that house with my mind made up what to do. I would put my child in honest hands, and chain myself to the stake to suffer everlasting damnation for her sweet sake.

"'She is in the Mission San Antonio now, between three and four, a perfect little princess, she looks like me, and grows, oh, so lovely! If you could see her, you'd love her.

"'I can't go to see her any more; she is old enough to remember. The last time I was there, she demanded a papa!

"'I am making a great deal of money. Many of the rich men, whose Puritan wives and daughters refused me honest work, are squandering lots of their wealth in my houses. I am saving money, too; and propose, as soon as I can get a neat fortune together to go away to the ends of the earth, and have my little girl with me. I will raise her to know herself and to know mankind.'

"'And what do you want me to do, madam?'

"'I want you to be that child's guardian; the honest man through whom she will reach the outside of San Antonio and the world. Who will go between her and me until a happier time.'

 

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